Upcoming events
Past events
Lecture: Women’s Films in Italy, 1965-2015 Progetto CineAF – Introduce Farah Polato
7 Novembre 2022, ore 14.30
Aula 9 – Complesso Beato Pellegrino
7 Novembre 2022, ore 14.30 | Aula 9 – Complesso Beato Pellegrino (ingresso da via Vendramini)
MEDIA MUTATIONS 13 – Audiovisual Data: Data-Driven Perspectives for Media Studies
MEDIA MUTATIONS 13 – Audiovisual Data: Data-Driven Perspectives for Media Studies
Università di Bologna, Dipartimento delle Arti – DAMSLab, 6-7 October 2022
«Ho ucciso l’angelo del focolare». Lo spazio domestico e la libertà ritrovata
FAScinA 2022 «Ho ucciso l’angelo del focolare». Lo spazio domestico e la libertà ritrovata
Università di Sassari – 13-15 october 2022
Annual Seminar on Gender Equality and Inclusivity in the Film Industry, 2022 Venice International Film Festival
TUESDAY 6 SEPTEMBER 2022
CALL FOR PAPERS Gender and labour in the Italian screen industries: Critical research approaches and methods
Comunicazioni Sociali — Journal of Media, Performing Arts and Cultural Studies issue no 1/2023
Comunicazioni Sociali — Journal of Media, Performing Arts and Cultural Studies
n. 1/2023 – Edited by Rosa Barotsi, Gloria Dagnino and Carla Mereu Keating
Deadline: 15 May 2022
Invisibili o fuori campo?
Valorizzare diversità e pluralismo di genere nel cinema e nell’audiovisivo
WIFTM Italia, Sguardi Altrove, CineAF-Almed/UCSC – 16 mAY 2022
Cinema (In)visibile: A Curated Film Programme
Sguardi Altrove International Women’s Film Festival – 10-15 May 2022
Radical Film Network (Un)Conference/Festival
13-17 JUNE 2022, UNIVERSITY OF GENOVA
NECS 2022
Epistemic Media: Atlas, Archive, Network
Bucharest, National University of Theatre and Film – 22-26 June 2022
Lo Storytelling inclusivo: Ciclo di incontri con professioniste dell’audiovisivo
UNIVERSITA’ CATTOLICA DI MILANO – ALMED – MARZO-APRILE 2022
Serena Alfieri | Professioniste del cinema: grande schermo e rappresentazione
Soheila Javaheri Mohebi | Grande schermo e cittadinanza: Fare cinema tra più culture
The Purple Meridians public roundtable
Torino Piemonte Film Commission and Torino Film Industry TORINO FILM FESTIVAL, 27 NOVEMBER 2021
The Purple Meridians is a project by Streeen (Torino) in partnership with OVNI (Barcelona) and Rosa Kadın Derneği (Diyarbakır)
FAScinA 2021 – Forum Annuale delle Studiose di Cinema e Audiovisivi
10-13 NOVEMBER 2021, UNIVERSITY OF SASSARI
10-13 NOVEMBER 2021, SASSARI
Seminar on Gender Equality and Inclusivity in the Film Industry, 2021 Venice International Film Festival
SPAZIO INCONTRI (HOTEL EXCELSIOR) & VPB LIVE CHANNEL, TUESDAY 7 SEPTEMBER 2021
Consulta Universitaria Cinema
Lo stato e il futuro della Ricerca: aree, direzioni, metodologie
13-14 SETTEMBRE 2021, ROMA
NECS 2021 Conference Transitions: Moving Images & Bodies
7-13 JUNE 2021, ONLINE
“Gender inequality in the film industry: data and policies to change the course” BIOGRAFILM BIO TO B INDUSTRY DAYS
PERIOD THINK TANK, BIOGRAFILM FESTIVAL BOLOGNA – 12 JUNE 2021
Women’s films and Italian audiovisual policy, 1964-2016
ONLINE EVENT SERIES: A PROGRAMME OF LECTURES & FILM SCREENINGS on STREEEN
May 2021
A journey through the Italian film industry in four parts: four films by women filmmakers that narrate the shifting contours of the relationship between national film policy and historically marginalized forms of creativity. From the first postwar attempt at an organic film policy in the 1960s and up to the most recent film law (2016), these four seminal films by Cecilia Mangini, Adriana Monti, Roberta Torre and Laura Bispuri tell a story of boundary-pushing cinema and its often uneasy dialogue with the national film industry.
Lucia Cardone on Cecilia Mangini – may 7 2021
In collaboration with Archivio Audiovisivo del Movimento Operaio e Democratico
Lucia Cardone, Professor of Film History at the University of Sassari, spoke to us about Cecilia Mangini’s career as possibly the first woman documentarist in Italy, her film Essere donne (1964) on working class women’s rights, and Mangini’s complex relationship to feminism.
Annamaria Licciardello on Adriana Monti – MAY 14 2021
In collaboration with Fondazione Micheletti
Annamaria Licciardello, archivist at the Centro Sperimentale della Cinematografica – Cineteca Nazionale, spoke to us about Adriana Monti’s feminist film work, the context of Italian feminist collectives’ audiovisual and text-based production in the 70s, and the “150 ore” educational initiative for housewives, depicted in Monti’s film Scuola senza fine with Lea Melandri.
Ilaria De Pascalis on Roberta Torre – MAY 21 2021
In collaboration with Donatella Palermo e Roberta Torre
Ilaria A. De Pascalis, associate Professor of Film and Television at Università Roma Tre, spoke to us about the exceptional case of Roberta Torre’s Tano da morire (1997), perhaps the first and only Italian musical comedy on the mafia, its groundbreaking aesthetics and style and its complex reception and distribution history.
Serena Alfieri on Laura Bispuri – MAY 28 2021
In collaboration with Vivo film and Istituto Luce Cinecittà
Serena Alfieri, film producer at Vivo film, spoke with us about her experience as delegate producer for Laura Bispuri’s Vergine giurata (2015), explaining in practical detail the varied responsibilities involved in being a film producer in Italy.
Italian